The Location of Power

Power in the United States, at least the power to actually get things done and make changes, is transforming. National politics exist at such a polarized level that bipartisan lawmaking and any action in general is almost impossible. As a result, political decision making and dynamic policy changes are occurring at a different level of governance, the hyper-local level. From my vantage point, state governments are muddling through as normal, with some big legislation passing here and there in some states, but simultaneously a lot of state level legislation seems to me to symbolic and broad, and often hung up in courts.

 

The New Localism by Bruce Katz and Jeremy Nowak explores how and why power in American public policy is shifting to the city, municipality, and metropolitan arenas. Dynamic changes and transformations are not occurring nationally, are not occurring in all states, and are not occurring in all counties. Some regions of the United States are growing, booming, and adapting, while others seem stagnant and stuck.

 

The authors write, “The location of power is shifting as a result of profound demographic, economic, and social forces. Power is drifting downward from the nation-state to cities and metropolitan communities, horizontally from government to networks of public, private, and civic actors, and globally along transnational circuits of capital, trade, and innovation.”

 

The thing about city governments and metropolitan communities is that they can act with a sense of informality that large national governments and bureaucracies cannot. They can be quicker to respond and more targeted with their actions. We are coming out of a period in American history where policies and actions moved upward to the Federal government. Lobbyists moved from small town capitals across the nation to Washington DC, to be closer to the big decision makers. As congress has fallen into gridlock, local governments have taken up action to innovate and re-imagine their futures. New actors come into play at local levels, and connections in both public and private organizations are driving the changes of governance, economies, and communities.

 

It is important that we embrace these changes, but recognize the potential for inequality with these changes. We have to find ways to embrace the new drivers of innovation, knowledge, and development while equitably ensuring that our communities are strengthened and not fractured from this new localism. Metropolitan areas are booming, but they must not become exploitative or this shift in power can become dangerous and further the divisions in our country. In order for new localism to be sustainable, it must also become equitable to bridge the gaps we see in our current politics.

Finding Your Voice in Writing

Amanda Gefter’s book, Trespassing on Einstein’s Lawn, mostly focuses on physics and the complex state of how our leading physicists were thinking about the universe in 2014. The book also, however, focuses on Gefter’s journey into science journalism, about her life and experiences, about our quest for knowledge, and about the ways in which we try to express and share what it is we know and learn. A little over halfway through the book, Gefter writes about her first attempt at writing a book, and endeavor she undertook with her father.

 

Gefter struggled to write a book with her father that would be more than a repository for the knowledge that she and her father had gained over the years as they delved ever deeper into the complex physics of spacetime, relativity, and quantum mechanics. She describes her efforts to write a book and how her publisher described her final product as lacking her true voice. All her life, writing for a bridal magazine, writing academic papers, and trying to break into science journalism, Gefter had felt that she needed to write with a voice that was distinctly not her own. She had adopted the voice of a stuffy, old, British man for the academic papers she wrote in college, mimicking the style she saw in the academic papers around her, and her bridal magazine days early in her career seemed to lack any voice at all. To be able to write successfully, Gefter was challenged to find her true voice, and to use her voice to describe the science she loved and wanted so passionately to understand and be a part of.

 

She wrote about the feedback that her first editor, Katinka Matson, gave her regarding her first attempt at a book, “Matson felt it was the co-authorship that had muted my voice. Maybe she was right. Maybe it was Safe and Screwed, like their confusing co-authorship structure. You violate the laws of physics when you try to speak from two observer’s points of view simultaneously. Maybe you violate the laws of publishing, too. Maybe our book had been an impossible object from the start. Maybe it didn’t make sense to try to write a book using both our voices, since it would add up to no voice at all.” In trying to fit her voice in with her father’s voice, Gefter left something out of her writing. She felt that she could not write as herself, and as a result she adopted a different persona for her writing, a persona that lacked her energy and spark and that failed to authentically convey her own excitement and interest in the puzzling and sometimes paradoxical science of the universe.

 

The answer for Gefter was not necessarily to give up the idea of publishing a book with her father, her copilot on her journey though physics. The challenge and answer for Gefter was to figure out what she needed to do to write as herself, and early on in her writing career this meant developing her writing voice independently, and then learning to incorporate others people and elements.

 

In the passage above, Safe and Screwed are two characters that she introduces in Trespassing on Einstein’s Lawn when talking about black holes and the experiences that two people would have if one crossed the event horizon of a black hole and the other did not. Safe would be outside the even horizon, alive and presumably happily floating along in space. Screwed, on the other hand, would be burned apart by Hawking radiation and the part of him not devoured by quantum particles would be pulled and stretched by the gravitational force of the black hole. Screwed and Safe are how Gefter came to understand what our experience of black holes would be like, and sharing their stories and perspectives was the type of innovative science writing that Gefter needed to cultivate to express her own voice. Throughout the book, Gefter references Screwed and Safe, and she brings in other characters to help us see what is taking place at the edges of our understanding of the universe. This was the voice that Gefter needed to develop. She needed to step beyond the safeness of stuffy academic writing and passionless editorial writing to be an authentic, yet possibly screwed, science writer.

 

In our own lives and activities we must do the same. We cannot simply write, think, or do the things that we have seen before us. We cannot adopt styles and personalities because we think that is what other people expect. To be authentic to ourselves, to be innovative, and to make an impact and a difference, we must be ourselves, cultivate our own voice, and we must not be afraid to show who we are. We are not all stuffy old British men, so we should not write, speak, or behave as if we are, simply because most people in our jobs act that way or because that is the model of success we have seen before. I don’t think we literally all act like stuffy old British men, but in our lives we adopt certain personalities not because those personalities express who we are, but rather what we think we want to be, and because those personalities signal to others that we are part of a tribe (or at list think we are/want to be) and that we can use the same words and hold the same virtues as others in the tribe. Moving forward, for society to grow, become more inclusive, and develop new innovations, we must find ways to be ourselves and be more creative in the way we interact with and relate to the world. Otherwise we will never be able to communicate our excitement about the corner of the universe that fascinates us, and we will never create the meaningful societal connections that form the cornerstone of society.

A Science Fiction Message

Larry Niven wrote a letter to James Harmon for Harmon to publish in his book, Take My Advice, and in his letter Niven offers his 19 “Niven Laws” which are his observations of how the world works. I highlighted law number 14 because it brings to life the idea that other people do not think the same way that we do, and it does so in a fun way. “14. The only universal message in science fiction: There exist minds that think as well as you do, but differently.”  I think that once we have graduated from high school or college our 12 to 16 years of the academic world can leave us in a place where we look for right answers and assume that there is one correct way to look at everything in the world.  Standardized tests, teachers who push a single viewpoint, and competitions to see who can have the highest grades and GPA create a world where we constantly rank our intelligence and compete to see who can have the answers that are the most in tune with the ideas of the person grading our tests.  Niven uses science fiction to show that there are incredible thinkers in this world who can use their mind as well as anyone, but who can apply it in innovative ways. The diversity of science fiction is simply a reflection of the diversity of thought in the human mind, and in todays Age of Superheroes that diversity is being celebrated despite the fact that 24 hour news networks chariot single viewpoints and commercials direct materialistic views of happiness into our homes.

 

Perhaps we can look at Niven’s understanding of what science fiction is, a collection of thoughts that differ from the every day, to explain why superhero movies and shows have come to dominate lately.  We want to see the world in new ways and imagine what the world could be if we adopted new view points.  This whole notion could be a counter reaction to the media surrounding what happens in the “real world”.

 

What first drew me in to Niven’s quote was the idea that we compare the way that we think to others.  Academics puts a mark on who thinks well, an who does not think well, and it teaches us to identify ourselves based on the quality of our thought as graded by a professor or as outlined by a series of multiple choice questions.  Years of schooling can force an individual into pre-set manners of thinking and can encourage the assimilation towards a single viewpoint.  Niven’s quote uses science fiction to show that  we do not have to judge the way other thing or the quality of their thoughts based on how aligned they are with what we consider to be normal or standard.  The idea in the quote above shows that we can celebrate other ways of thinking without judgment.

 

It may be argued that those who study creative subjects such as literature or art throughout school will be more open to the idea of looking at multiple perspectives while those who study science, math, or engineering are more shut out to the possibility of multiple answers.  For me this is too simple of an explanation for differences in thought and education.  My first venture into the world of quantum physics was by reading the book, The Dancing Wu Li Masters, by Gary Zukav.  Zukav explains that the science of quantum mechanics, what happens at the sub-atomic level inside the atom of every element, is a shifting science with our interactions in the experiments we perform providing us with mixed results.  The most famous example of this is how we study light. Depending on the test we run and how we measure our tests, we can show light particles to behave as a wave or as an individual particle.  There is no right answer with identifying exactly what light is, and the problem can only be solved with creative people who do not accept a single right answer but can look for answers in new directions.  Another example of people abandoning the idea of a single right answer in science comes from the book I am currently reading, Stuff Matters, by Mark Miodownik.  In his book Miodownik dives into the world of material science and shows us how new thinking and applications of materials has changed our world in ways that are often hidden to most of us.  He explains how complex concrete is and how modern day concrete was created in part through the innovations of a gardener who simply wanted to build stronger pots.  It took the unique viewpoint of someone outside the world of material science to find an answer to concrete’s tendency to crack and crumble. Luck provided that concrete and steel have very similar coefficients of expansion, which allows for concrete to be poured around steel to give it extra tension and strength when poured in unique shapes.

 

If we stick to the idea that there is only one correct answer for everything, and if we assume that others think like us, then we are left in a world where we cease to innovate.  We must remember, and science fiction helps us to do so, that we do not think “better” than anyone else.  We simply all think in different ways, and combining our different ways of thinking is what builds a better world.  Science fiction today has come to celebrate unique thoughts and ideas, and there is plenty of room to expand our celebration of unique thought to areas of the world where the dominate ideas is that there is “one right answer”.